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The Early Springtime Itch

Water rushing over rocks in stream
It’s been a long, hard, cold winter. So cold in fact, that it tends to prevent one from going out to photograph the beauty of all the snow that we have put up with. But now winter is over (sort of), and spring is on the way… or at least the calendar says it is. And so Sunday’s warm temps made me want to go outside on a photo excursion, even though I was pretty sure there wouldn’t yet be much of what I like to photograph. So let’s call it a reconnaissance mission and leave it at that. I would go see how the natural world was progressing into spring, and just in case, I would bring my camera.

A pair of Ring-necked ducks

A mated pair of Ring-necked ducks

My first stop was more of a birdwatching exercise than photographic. There was an uncommon duck being seen on the Androscoggin River along the Riverwalk in Auburn, so that’s where I headed; in search of the female Long-tailed Duck. The Long-tail is common in Maine in the winter, but only on the coast, not on inland rivers. So I had hoped to get some closer photos of it than I usually have the chance to. Long story short I didn’t find it. However, I was lucky enough to find a pair of Ring-necked Ducks; perhaps more photogenic than the Long-tail. The Ring-neck is common on Maine lakes and ponds, but only during spring and fall migration, so it was nice to find this pair basically in my own back yard.
This is not meant to be a lesson in birding, but I thought it would be nice to let you know that when it comes to ducks, we do have more than the ubiquitous Mallard here in L/A.

My next stop was to one of my favorite local sites for photos; Bobbin Mill Brook on North River Road. I wanted to see how the snow was receding to open up the stream. The walk into the woods, along an obvious deer trail, was not very easy. The snow was still a foot or so deep, and soft, so my feet kept sinking in under the weight of my fully loaded gear bag. The stream was partially open and running in the middle. But most of the rocks that create the interesting cascades were still under a good cover of ice and snow. I had to search hard to find any interesting compositions. The deep snow also made it difficult to set a tripod, which is necessary to make interesting moving water images.  I shot what I could, but I didn’t go far; it just wasn’t worth it.
rock and pine cone on snowHowever, the snow in the woods was littered with pine cones that had fallen during the winter. These had some photographic potential. After a little searching, I found this cone next to a partially exposed rock. It was partly in the sun, which made the composition a little more interesting; although the exposure was tricky, trying to get the snow a clean white without blowing the highlights. This made for a good exercise to brush up on my photography skill.

 

After I left the stream, I headed up the road to some farm fields. I was looking more for birds here than for photo subjects. I thought there was a good possibility that there might be some migrating geese looking for left-over kernels  in the corn fields. I didn’t really expect to find anything photogenic. But that’s where I was wrong. Sometimes the most captivating images happen when I least expect them, and that often happens to me with the moon. Sometimes I go out seeking moon scenes, and sometimes they just happen. And that’s how it was with this last image. It was a matter of being at the right place at the right time. The moon was out early, and still fairly low in the sky. By itself it wouldn’t hold much photographic interest. But when I looked up at this one specific tree (looking for birds), the moon was hanging just off to the side of the branches. I had to work fast before it got much higher in the sky, changing to my 500mm lens to get the most magnification. After finding just the right position and taking a couple of test shots (God bless digital), I made this image.
So although I didn’t have the most rewarding photo outing, it felt good to get out  with my camera again, knowing I’ll be ready when Mother Nature is.

Moon rising above tree in blue afternoon sky

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It’s Not Over ’til it’s Over.

The sun dips below the horizon behind a ridge in Lisbon

Photographing a sunset can be rewarding. After all, the colors can be stupendous, and no two are ever alike. But even though the sun sets every day, there’s no guarantee of a great sunset every day. Many atmospheric conditions have to come together; don’t even ask me what they are, because I don’t know. I do know that some conditions have a better potential for a good show than others. For instance, having clouds in the sky is almost paramount; they give the setting sun something to reflect color off of as it sinks out of sight. But even with a cloudy sky sometimes a rewarding sunset just doesn’t materialize.

Getting great sunset photos takes a little luck. It also takes a little planning, because by the time you see a great sky show, if you aren’t ready for it, it will likely be over before you get your gear and get to a good location. But probably more than either luck or planning, you have to have patience. Sometimes you can see a great sunset coming before it even gets started. But other times (probably more often) a sky that shows little or no promise can suddenly go crazy with color… and if you had already given up and packed it in you will miss it.

Such was the case with Sunday evening’s sunset. I had initially set up along a stream, looking westward. The sky was looking promising around 4:30; nice bands of clouds, sky reflecting on the water in front of me. I took a few test shots of the scene I wanted, then I turned my attention to some other water shots as I waited. Unfortunately, as time passed, more clouds rolled in and totally obscured the sun and horizon. Around 5:00 it didn’t look likely for a good sunset, at least from this location. So I packed up and headed to another location, up on a ridge about a mile away. When I got there I started walking along the road assessing the situation. From this vantage point I would have a good view of the sun as it dropped below the horizon. I had some foreground objects, in the form of snow fences, to add a little foreground interest. But what I didn’t have was a sky that looked like it held much potential to make my time there worthwhile. I took some shots anyway, trying different compositions with the fence and farm buildings, but they weren’t doing anything for me. By this time, about 5:15, the sun was just a little above the horizon, and behind some clouds. I started walking back to the car, about 200 feet away.

sunset over packard-littlefield ridge in lisbonAs I was walking the sunset gods must have felt my lament, because I looked over at the western sky one more time, but this time I saw something that gave me hope. I said to myself, “that could turn into something, maybe I’ll stick around.” And so I started walking back to my chosen spot and waited just a little longer. And that’s when it happened. Just as the sun came through the low-hanging cloud cover and reached the horizon, the sky began to light up. The clouds did what they were supposed to; reflect the warm colors of the setting sun. In the space of five minutes the sky went from boring to spectacular… and I had been ready to go home. I almost missed it.

While this was certainly not the most incredible sunset I have ever witnessed, my point is made; Never give up on a sunset just because you don’t think it will pan out. You’re there already anyway, so you might as well wait it out. And what’s more, even when you do get a good sunset,and you think it’s over, stick around. Sometimes the second act is just about to begin. Because it’s not over til it’s over.

Daniel J. Marquis Photography Home Page

 

 

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No Northern Lights; Oh Well

Fence and bare tree sillouetted against night sky

Lacking any anticipated Northern Lights, This bare tree and fence on a downward slope made an interesting composition.

So the Northern Lights, Aurora Borealis, was supposed to be quite visible to us here in Maine. That’s cool, I’ve seen the pictures. I’ve always wanted to see and photograph them myself. This seemed like a good opportunity. One problem; well, two really: First, the night time temps were around 10 degrees. Secondly, in order to see them well I would need to get out of the city away from the ambient light. I was thinking Turner perhaps.

So did I really want to see them? Yes. Did I really want to go out there in the cold and dark? No. But I knew I would be kicking myself  if woosed out and then saw all kinds of Northern Lights photos from Maine on Facebook the next day. So I bundled up and headed out to Turner with my camera and tripod.

About half way along Upper Street I found a side road that allowed me to get off the main road and gave me a perfect view to the north. So I parked and opened my thermos of hot cocoa and sat waiting and watching…. and nothing was happening.  I was getting updates by phone from my wife, who was back home snug and warm, checking up-to-the-minute updates on line. Her info said I should be seeing something… but still nothing.  You see where this is going.

Fence and bare tree sillouetted against night sky

Don’t forget to explore vertical options of the same subject. The pink glow on the horizon is from the glow of city lights back in Lewiston

Long story short, the lights never appeared. But I didn’t want to waste this trip. Kind of like ‘all dressed up and no place to go.’ So I started looking around. The sky was perfectly clear with a good half moon out illuminating the surroundings. So I decided to do a little experimenting with some night shots, which isn’t easy in below-freezing temps. First off you have to hold a flashlight while trying to set up the camera and get the correct settings. Then you have to “try” to see through the viewfinder to get a pleasing composition. Then set the proper focus manually because it’s too dark for auto focus… and then refocus every time you move the camera. And of course your fingers are getting more numb all the time, making it harder to push the necessary buttons.

So anyway, I didn’t get to see the Northern Lights. In fact, don’t ask me to get excited about the possibility any more because I just won’t be interested. But  I did come away with two or three interesting shots on a cold night that I couldn’t have gotten during the day. So the trip wasn’t a total waste.

…And I’m starting to get some feeling back in my thumb.

Daniel J. Marquis Photography Home Page

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Taking What You’re Given

Apple trees encrusted with ice at sunset

Apple trees encrusted with ice at sunset

The other day I went out with fellow birder and photographer Jim Walker to look for a Snowy Owl that had been spotted and photographed in Sabattus. Now, being bird watchers first, our main objective was to first and foremost actually see the bird. After all, a Snowy Owl is not a bird that a Mainer can see just any day.  But as photographers, our hope was to see the bird in a setting and situation that would enable us to get some decent photos as well. So out we went, well equipped with both binoculars and 500mm zoom lenses.

Being familiar with at least some of the Sabattus countryside, we cruised slowly around all the field and farm areas that a Snowy Owl should like to frequent, scanning posts and roof tops along the way. Needless to say we didn’t have any luck.  However, as the sun was getting low, along with our hopes, we happened upon an apple orchard with its trees still encrusted in ice. The setting sun was behind the orchard, which created a very interesting setting. So even though we weren’t set up for landscape photography, with our long zoom lenses, we quickly stopped and got out of the car to take advantage of the scenery that we were given.

With our long lenses we weren’t able to shoot any wide shots that encompassed the whole orchard, so we settled for some tighter, more intimate images of two or three trees. As the sun was low on the horizon with a milky white cloud cover, the sky was quite bright, or hot, anyway, so eliminating most of the sky from the photo made more sense. Here I was able to include enough of the sky to show the warm light from the setting sun without blowing out the background. But I still got the back-lighting illuminating the ice-encrusted branches.

So, the moral of this story; Don’t lock yourself into a preconceived notion of what your photographic outing will be. It’s good to have the extra equipment to change to to fit the situation. But you need to be ready to roll with the changes and take on whatever situation is presented to you. Because you never know when you’ll come across a good photograph.

Daniel J. Marquis Photography Home Page

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