Archives

A Night on the Town

Car lights at the corner of Lisbon & Ash Streets at night

A night on the town; That term conjures up images of drinks and laughter with friends. And while my evening both started and finished that way, this story is about the hour or so in between that was spent in the company of a camera.

I tend to think of myself as a nature photographer. Indeed, that’s how I cut my photographic teeth. However, I sort of accidentally found that there was a good following images of the city in which I live. And beyond that, I also found that I personally enjoyed showing off what this city has to offer. And without a doubt, the best time to highlight a city’s beauty is at night; or more specifically, at dusk. Dusk is that time that lasts for about a half hour after the sun goes down. It’s starting to get dark, so the city’s various lights are coming on. And this is what makes dusk photos so intriguing. All the different color temperatures of lights lend different colors to the image. Long exposures create light trails from passing cars. And you can begin to see colors and reflections in windows that just weren’t there during the daylight.

Lewiston City Hall at dusk as seen from Kennedy Park

Lewiston City Hall at dusk as seen from Kennedy Park

The other reason to photograph the city at dusk rather than when it becomes totally dark is that the deep cobalt blue of the shy records beautifully, and creates exquisite backdrops for the buildings. The sky becomes a deeper blue as it gets later, naturally. Also, the blue will be deeper if you are shooting away from the direction of the sun, since the western sky has more lightening effect from the sun that has already dipped below the horizon.

In addition to the aesthetic aspect, a deep blue sky as opposed to a black one creates less of a contrast between the deep sky and the any lights in the image. This makes it much easier to get a correct exposure in the camera.

Another aspect of photographing in the city after sundown is an unintended side effect. It seems walking around the downtown at night with a camera and tripod makes people want to talk to you. I met several people in the shot time I was out; some on the street, some in the park. One couple saw me shooting on the sidewalk and engaged me in a discussion about a “new” film camera they had just bought. They asked for advice and help with their new equipment. Unfortunately, being a film camera, I wasn’t much help, but I encouraged them to persue the hobby, even if it meant buying an inexpensive digital model.

SS. Peter and Paul Basilica at dusk as seen from Kennedy Park

SS. Peter and Paul Basilica at dusk as seen from Kennedy Park

Several people stopped to ask what I was photographing, and when I pointed to the lit up city hall, or the lighted spires of the Basilica, they always agreed that it was a beautiful sight. I was asked if I was shooting for the newspaper more than once, and a young Solmali boy asked if I was the paparrazzi, taking pictures for Hollywood. The camera just seems to bring out friendliness in people.

When I’m shooting in the downtown, especially at night, I find it important to not just look for and shoot the obvious subjects. Of course the beautiful City Hall simply beckons to have its photo taken. Heck, I could probably do a whole book on the beauty of its architecture. But right across the street are the windows of the library. Looking up at them reveals some interesting reflections of the lighted City Hall. Window reflections always make interesting photos, and  the colors these windows were reflecting were simply a photo waiting to happen. If I hadn’t looked up I wouldn’t have seen them. Now the task was to find the best spot to get the best image. After crossing the intersection a couple of times, all the while keeping an eye out for traffic, it turned out the best spot was right where I was when I first saw the image. It’s important not to just take the first shot you see, but sometimes it’s the best one.

City Hall reflected in Library window

City Hall reflected in Library window

So, after about an hour or so, I eventually made my way back to Fuel Restaurant and Lyceum Gallery where my wife and friends were carrying on with our usual Friday night frivolities and lively discussions. I’m not sure if they even knew I was gone. It’s a fun and inspiring place, filled with art and artists; a place I’m happy to call my “Cheers”; and a place I am happy and honored to share my work. Stop in some Friday evening and have a drink and a laugh and some great conversation… we might even talk about photography.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

spacer

It’s Not Over ’til it’s Over.

The sun dips below the horizon behind a ridge in Lisbon

Photographing a sunset can be rewarding. After all, the colors can be stupendous, and no two are ever alike. But even though the sun sets every day, there’s no guarantee of a great sunset every day. Many atmospheric conditions have to come together; don’t even ask me what they are, because I don’t know. I do know that some conditions have a better potential for a good show than others. For instance, having clouds in the sky is almost paramount; they give the setting sun something to reflect color off of as it sinks out of sight. But even with a cloudy sky sometimes a rewarding sunset just doesn’t materialize.

Getting great sunset photos takes a little luck. It also takes a little planning, because by the time you see a great sky show, if you aren’t ready for it, it will likely be over before you get your gear and get to a good location. But probably more than either luck or planning, you have to have patience. Sometimes you can see a great sunset coming before it even gets started. But other times (probably more often) a sky that shows little or no promise can suddenly go crazy with color… and if you had already given up and packed it in you will miss it.

Such was the case with Sunday evening’s sunset. I had initially set up along a stream, looking westward. The sky was looking promising around 4:30; nice bands of clouds, sky reflecting on the water in front of me. I took a few test shots of the scene I wanted, then I turned my attention to some other water shots as I waited. Unfortunately, as time passed, more clouds rolled in and totally obscured the sun and horizon. Around 5:00 it didn’t look likely for a good sunset, at least from this location. So I packed up and headed to another location, up on a ridge about a mile away. When I got there I started walking along the road assessing the situation. From this vantage point I would have a good view of the sun as it dropped below the horizon. I had some foreground objects, in the form of snow fences, to add a little foreground interest. But what I didn’t have was a sky that looked like it held much potential to make my time there worthwhile. I took some shots anyway, trying different compositions with the fence and farm buildings, but they weren’t doing anything for me. By this time, about 5:15, the sun was just a little above the horizon, and behind some clouds. I started walking back to the car, about 200 feet away.

sunset over packard-littlefield ridge in lisbonAs I was walking the sunset gods must have felt my lament, because I looked over at the western sky one more time, but this time I saw something that gave me hope. I said to myself, “that could turn into something, maybe I’ll stick around.” And so I started walking back to my chosen spot and waited just a little longer. And that’s when it happened. Just as the sun came through the low-hanging cloud cover and reached the horizon, the sky began to light up. The clouds did what they were supposed to; reflect the warm colors of the setting sun. In the space of five minutes the sky went from boring to spectacular… and I had been ready to go home. I almost missed it.

While this was certainly not the most incredible sunset I have ever witnessed, my point is made; Never give up on a sunset just because you don’t think it will pan out. You’re there already anyway, so you might as well wait it out. And what’s more, even when you do get a good sunset,and you think it’s over, stick around. Sometimes the second act is just about to begin. Because it’s not over til it’s over.

Daniel J. Marquis Photography Home Page

 

 

spacer

Taking What You’re Given

Apple trees encrusted with ice at sunset

Apple trees encrusted with ice at sunset

The other day I went out with fellow birder and photographer Jim Walker to look for a Snowy Owl that had been spotted and photographed in Sabattus. Now, being bird watchers first, our main objective was to first and foremost actually see the bird. After all, a Snowy Owl is not a bird that a Mainer can see just any day.  But as photographers, our hope was to see the bird in a setting and situation that would enable us to get some decent photos as well. So out we went, well equipped with both binoculars and 500mm zoom lenses.

Being familiar with at least some of the Sabattus countryside, we cruised slowly around all the field and farm areas that a Snowy Owl should like to frequent, scanning posts and roof tops along the way. Needless to say we didn’t have any luck.  However, as the sun was getting low, along with our hopes, we happened upon an apple orchard with its trees still encrusted in ice. The setting sun was behind the orchard, which created a very interesting setting. So even though we weren’t set up for landscape photography, with our long zoom lenses, we quickly stopped and got out of the car to take advantage of the scenery that we were given.

With our long lenses we weren’t able to shoot any wide shots that encompassed the whole orchard, so we settled for some tighter, more intimate images of two or three trees. As the sun was low on the horizon with a milky white cloud cover, the sky was quite bright, or hot, anyway, so eliminating most of the sky from the photo made more sense. Here I was able to include enough of the sky to show the warm light from the setting sun without blowing out the background. But I still got the back-lighting illuminating the ice-encrusted branches.

So, the moral of this story; Don’t lock yourself into a preconceived notion of what your photographic outing will be. It’s good to have the extra equipment to change to to fit the situation. But you need to be ready to roll with the changes and take on whatever situation is presented to you. Because you never know when you’ll come across a good photograph.

Daniel J. Marquis Photography Home Page

spacer